MY MOTIVATION
I spend most of my working life behind screens. As a videographer and editor here in Berlin, my days are fast: deadlines, notifications, a timeline that always needs one more cut. I love that work, but somewhere along the way I noticed that my hands were only ever touching keyboards, and my head never really switched off.
Painting changed that. The first time I sat down with a plain plaster figure, a brush, and no plan at all, something unfamiliar happened: time got slow. There was no right or wrong, no one to impress, nothing to optimize. Just color, texture, and quiet. Two hours passed and my head was still.
pulpo grew out of that feeling. I want to make it easy for other people to find it too, whether that's alone at your kitchen table, on a blanket in the park with friends, or on a slow evening for two. That's why every figure is cast by hand, and why there are no rules included in the box.
We live in a world that constantly asks us to be faster. pulpo is my small invitation to do the opposite: create, slow down, connect.